{"id":49,"date":"2013-08-19T18:05:57","date_gmt":"2013-08-19T16:05:57","guid":{"rendered":"http:\/\/sutangomunchen.com\/?p=49"},"modified":"2019-01-21T18:15:16","modified_gmt":"2019-01-21T17:15:16","slug":"tuesday-may-15-2012","status":"publish","type":"post","link":"https:\/\/sutango.com\/tuesday-may-15-2012\/","title":{"rendered":"Tuesday, May 15. 2012"},"content":{"rendered":"

Tr\u00edo Central – No False Alert!<\/a><\/h4>\n

Tr\u00edo Central – Falsa Alarma<\/a><\/p>\n

First of all: \u201eFalsa Alarma\u201c („False Alert“) by Trio Central is simply brillliant<\/strong> and one can only wish for such a false alarm! My favourite pieces are „El Pollo Ricardo“ and „Boedo“ – the wonderfully playful piano<\/strong> is just ingenious here as well as the replying bandoneon<\/strong>. Or perhaps all of the songs are my favourite pieces?
\nThe piano is cheekily providing the tune for the bandoneon in „Organito de la Tarde“. The interplay of these two instruments is breathing fresh, new life to the the Di Sarli<\/a> classic „Bah\u00eda Blanca“<\/a> which we have been listening to almost too many times. But, hey we would love to listen to it again now in this fresh interpretation by Tr\u00edo Central. Very convincing is the title piece „Falsa Alarma“, composed by the pianist Pablo Woizinski<\/strong>. The bandoneon playerChristian Gerber<\/strong> is also a member of the successful Quinteto Angel. What instrument does the third musician of Tr\u00edo Cntral play again? Oh, well, contrabass<\/strong>. Well, since Patrick S\u00fcsskind’s eponymous novel the destiny of double bass players has been well-known. One only perceives them marginally, but honestly, Rodolfo Paccapelo’s<\/strong> contrabass would seriously go amiss as a structural frame and as a strong background sound. Eventually, in „Tango Apasionado \u2013 Finale“ the contrabass player has his moments of fame. A feast to your ears, and my legs can’t keep quiet either on listening to „la Retirada“, written by Juan Carlos C\u00e1ceres<\/a>. This CD contains even two versions of this piece. The piano can almost cope with this piece on its own when I perceive the contrabass in the background and only after a good third of the piece is over, the bandoneon comes in and give „Retirada“ a whole noe drive.
\nAnd really, we can’t say that we are missing a single further instrument here with this Trio. Tr\u00edo Central<\/a> provides fully-fledged Tango delicatessen and the pieces are almost all superbly danceable. A great debut CD by this formation of three young musicians from Buenos Aires and Berlin, that doesn’t leave any wishes unfulfilled. Oh, there would be one though! I would really love them to come to Munich and perform live at my milonga, one of these days. Well, until then I can happily while away the time by listening to their CD…<\/p>\n

Susanne M\u00fchlhaus<\/a>
\nhttp:\/\/www.danzaymovimiento.com\/dymlog\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Tr\u00edo Central – No False Alert! Tr\u00edo Central – Falsa Alarma First of all: \u201eFalsa Alarma\u201c („False Alert“) by Trio Central is simply brillliant and one can only wish for such a false alarm! My favourite pieces are „El Pollo Ricardo“ and „Boedo“ – the wonderfully playful piano is just ingenious here as well as the replying bandoneon. Or perhaps … <\/p>\n

\u201eTuesday, May 15. 2012\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/posts\/49"}],"collection":[{"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":0,"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sutango.com\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}